Part 11: Through the streets to St. Mark’s.
Tuesday October 1 is cold but sunny.
Tour groups in Italy have to have a guide, and the guide has to be an Italian citizen and licensed by the government. During our tour we will have five different guides: they are all gracious and provide great insight into the cities and their art. The guide has a lapel mike and each of us has a receiver with an earpiece. This allows us to wander a bit while the guide is talking and look at something we may be more interested in, or linger longer than the guide talks. The range is about 50 feet. For me the system did not work that well. I would usually get some static which impeded hearing, so I found it best to stick close to the guide. The exception was the very last day in Rome when we used a different make of mike and receivers.
Our first guide is Corrine. She meets us outside our hotel and will lead us on a 3 hour trek through the Cannaregio and San Marco neighborhoods to the Basilica di San Marco. In the afternoon we will take a 30 minute boat ride across the lagoon to the island of Burano.
The houses in Venice are built around cortes (courtyards), and when they were first formed in the 11th or 12th centuries a well was in the center allowing citizens easy access to water. The wells have since been sealed, but some structural elements often remain. Here Corrine explains that to us, and also says that the house in the corner may (or may not be – its only a legend) the home of Marco Polo. Below this picture is a closer view of the house. Just a few minutes away in another Corte is the work shop of the Bellini family – Renaissance painters of the 15th and early 16th centuries. Jacopo was the father, and sons were Giovanni and Gentile. Giovanni is the more famous and is considered one of the revolutionaries of renaissance painting – more sensous, greater use of color, and atmospheric landscapes. Titian and Giorgione were both apprentices in the Bellini workshop.
This is Santa Maria dei Miracoli (late 15th century) – maybe the prettiest church we saw. It’s also called the “marble church. The organization "Save Venice" restored the church in the 1990s. The exterior marble was so filled with salt that it was about to burst. The restoration was supposed to take two years and cost a million dollars; it turned out to be 10 years and 4 million. The roof is rounded and the “columns” on the front are decorative, not structural.
We picked up how to navigate Venice pretty quickly. Find a good map (easy and often free), look for signs that indicate where you are, then look for arrows pointing to a major landmark (Rialto Bridge, Piazza San Marco) that is close to where you want to be. Follow the arrows to a Campo that is near where you want to be. Street names are long and usually abbreviated on maps, but are on signs attached to the wall of buildings around the Campo
So off we go down a “street” and over a bridge to the Campo San Giovanni e Paulo where the church of the same name is under renovation.
This is one of the largest churches in Venice. After the 15th century the funeral services of all of Venice's doges were held here, and twenty-five doges are buried in the church.
A few minutes away is Campo Maria Formosa. These hotels, about a 5 minute walk from Piazza San Marco are well rated by TripAdvisor and go for about $200 a night.
Last stop before St Mark’s is the Ponte dei Sospiri, the Bridge of Sighs. Tomorrow we get to see it from the prisoners’ vantage.
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Napoleon called St Mark’s Square “the drawing room of Europe.” The square is the heart of Venice, and the only square called a Piazza; all others are “campi.” It is almost two football fields long from St Mark’s Church on the east to the Correr Museum on the west. It is prone to flooding and was partially flooded at the east end when were there. There had been steady rains for the past two days.
But that was nothing compared to the flooding that occurred in November 2012 when 75% of the city was under water. Water levels reached 5 feet, the 6th highest in over 140 years.
Here is what the Square looks like when dry.
The very tall Campanile (bell tower) on the right was rebuilt after it collapsed in 1902. It is an exact replica of the original. The original, built in the 12th century was wooden and frequently caught fire. It was rebuilt with brick in the early 16th century. The present tower is 323 feet tall.
The Torre dell’Orologio (clock tower) to the left of the church dates from 1496, and the clock has been running continuously since then. At its top, two bronze figures strike the bell every hour.
It’s possible to go inside both towers. Our group did not do that, but some went on their own later. The bell tower provides wonderful 360 degree views of Venice.
The Basilica di San Marco dates to the 11th century. It came to be in the 9th century after Venetian merchants stole the supposed remains of St. Mark the evangelist from Alexandria. The present church replaces a smaller chapel built in the 9th century. Until the 19th century St Marks was considered the Doge’s Palace. The distinctive eastern architectural style (note the domes) reflects Venice’s connections with the Byzantine Empire. These connections allowed the Venetian Republic to expand eastward down the east side of the Adriatic Sea into what is today Slovenia and Croatia. It also provided protection from the eastward expansion of the Holy Roman Empire. Venice was a very rich and powerful republic ruled by businessmen, not church figures.
The Lion is the symbol representing St Mark. Lions abound in Venice.
Over the entrance is a mosaic representing the body of Jesus prepared for burial.
And in we go – on platforms because the entrance is flooded.
There is very little flooding inside. Picture taking inside is not allowed. But below is a Wikipedia picture so you get some idea of how beautiful it is. It is also crowded, and so viewing conditions are not optimal.
We were allotted about 20 minutes inside, which is nowhere near enough time. A couple of days might have been about right.
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